Dating glass plate negatives

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Glass plate negatives

The West Virginia and Regional History Center is in the middle of a project to digitize some of our glass plate negatives. Glass plate negatives need to be made of glass; other types of negatives are made on paper, gelatin, acetate, or nitrate. If you have a glass photograph, check to see whether it is a negative. If your glass photograph is not a negative, you probably have an ambrotype! If you do have a glass plate negative, it could be one of two types.

JavaScript is currently not supported or is disabled by this browser. Some features of this site will not be available. Please enable JavaScript for full functionality. Almost all archives possess some type of photographic collection.

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The negative is a semi-transparent image on a transparent support. That support may be either glass or plastic film. A negative contains an inverse image i. As film, still negatives can appear arranged on a film roll or as single image sheets. Silver gelatin film negatives will appear gray-black, while chromogenic color negatives comprise complementary colors or will have an overall red-orange mask. Glass negatives are commonly designated as black-and-white but are technically monochrome, meaning that they can possess a range of subtle tones within a single color.

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The Preservation of Glass Plate Negatives

Until the midth century, photographers had to exert great physical effort and time to obtain a single image. Prior to plastic-based negatives, photographic emulsions were made on glass supports, known as glass plate negatives. Two types of glass plate negatives exist: the collodion wet plate, in use from the s, and the silver gelatin dry plate, in use from the s. Both processes are still in use by fine art photographers. Starting in the s, collodion, a flammable liquid, was spread on a glass support, or plate, then placed into a bath of silver nitrate which turned the collodion into a photosensitive silver iodide.

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